Certainly the slaves understood better than anybody that to be able to love blackness in a white world they had to create images—representations of their world that were pleasing to the sensibilities and to the eye. So they made quilts and dolls and all kinds of images that gave them a loving mirror of blackness to look into and be renewed. — bell hooks., sisters of the yam.
MOTHER’S DAY SALUTATIONS
planting time is here.
INDIGO’S FRIENDS WALL ART COLLAGES ARE ON EXHIBIT FEBRUARY 1 - MARCH 25, 2022 @ GREENBELT ART GALLERY @ the Community Center, GREENBELT, MD. * Schroeder & Imani will lead workshops at the Greenbelt Community Center on Sunday, Feb. 6 (1-3pm) The workshops are free and all are welcome. You must wear a mask in this environment.
Through March 23, 2022, INDIGO’S FRIENDS Art Dolls are the Featured Window Exhibit at BRENTWOOD ARTS EXCHANGE in Brentwood, MD. In an array of shapes, textures, and colors, these works are displayed in a manner that overlooks the gallery’s current Powerful and Thought provoking exhibit, BEFORE AND STILL by Nekisha Durrett (through 2/26/22).. Call for a private tour @ 301.277.2863 or Email Brentwood Arts Exchange
winter, in the northern hemisphere, has returned. welcome.
ENJOY THE SEASON
Throw Back. This art doll, Gullah Griot, is about 3’ L. The form is made with dioponi silk and her linen clothing, dyed in pinks and purples, are partially machine stitched. Her purple locs are composed of sheep’s wool. A beauty. Off she went to a collector upon completion ; - )
Rejuvenating.
The evolution of my approach: Sourcing materials from flea markets and second hand shops had often been my first step. However, over the years I’ve accumulated a bountiful stock of fabrics and finds. Presently, my annual hunt for resources is more refined. If I don’t have what I need on hand I’ll alter the surface of the fabric in some way or modify my vision to achieve my goal. One of the objectives of up-cycling is a no-waste approach. Fabric textures and colors, travel experiences, farms, gardens, historical and current events can stimulate my ideas. I usually connect most of those ideas to the culture of Gullah in a fictional or non-fictional manner. Rarely do I sketch a design in detail; just a few notes. The composition may change as I go through the process but the objective remains.
STITCHED ALCHEMY